Thursday, 23 November 2017

Napoleon and British Song 1797-1822 - by Oskar Cox Jensen


Napoleon and British Song 1797-1822

This is an important and fascinating book which is packed with new insights into popular culture during the wars against France after 1797.

Early in the book Jensen makes a striking claim that is worth reproducing

The historical reality is that across the British Isles, both during and especially after the Napoleonic Wars, the eponymous Bonaparte was better loved and respected by the general populace than Wellington, Pitt or the Prince Regent

Castlereagh and Sidmouth might have been added to this pantheon of anti-heroes, and some might wonder at the inclusion of Wellington. His creation as a national rather than a partisan hero was in fact some decades away. In the years after Waterloo he was rarely represented in song as "purely good", and he remained a target of many of the populace through the Reform bill period and even into the times of the Chartists. The New Hunting song in praise of Fergus O'Connor singled out Wellington for attack but praised "brave Bonaparte ", "a man of sense". Napoleon was seen as representing social mobility, whereas Wellington was seen as the ungrateful persecutor of his own soldiers.

The book supports the view that despite its place in the western and especially the British imagination, because of the scale of the casualties Waterloo received muted celebration in 1815 amongst all classes. Napoleon's escape from Elba, his proclamations of peace and his association with liberal politics had tempered radical doubts about him and reinforced a negative view of the battle. Despite the triumphalist Loyalist propaganda, Waterloo was often represented as a tragedy, a slaughter, and even a crime.

The endurance of British songs about Napoleon has been well known for some time, and Jensen confirms that not a single song collected from either a broadside or an oral source after 1815 speaks ill of Napoleon. This suggests the ultimate failure of all the Loyalist propaganda in demonising Napoleon in the popular imagination, and a failure in inculcating a sense of identity with the state and against the French.

In this respect Jensen is clearly at odds with the work of Linda Colley and others who have portrayed the wars as uniting the British people against the Corsican Ogre and Catholic France. Jensen reminds us of the reality of the relationship of the mass of the people to the British state: the press gang, enclosure, transportation and Pitt's "terror".

The book also stresses the importance of localism, which has been a neglected aspect of our national story. Britain in 1815 as for many decades later, consisted of a myriad of highly localised cultures. In conservative areas in Ireland, Napoleon was "the latest incarnation of the saviour across the water", in many areas there was great hostility to the militia, in some areas, especially the North East, the press gang was a major source of disaffection, in other areas Luddism was strong, in some areas there was an identification with smugglers, in Newcastle and perhaps elsewhere there was an anti authoritarian, pre-enlightenment popular song culture into which songs about Napoleon were readily incorporated, and everywhere there was little enthusiasm for volunteering for the wars.

The book analyses the changing dialectic between Loyalist propaganda and oppositional songs, and suggests that propaganda helped to build Napoleon up as a fabulous, folkloric figure. The Napoleon of the "black legend" though was never assimilated into popular culture, and his exile and separation from his wife and child made him a figure with which people could readily sympathise and identify. In the nineteenth century attention was focussed not on Josephine but on Marie Louise. So Napoleon on St. Helena became the victim of the British state, a flawed but attractive figure.

My only very minor quibble with the book concerns its opening sentence - "It is no coincidence that they named the Wars after him". This might give the impression that people at the time used the term, "Napoleonic Wars", but in fact that term did not come into use until the middle of the nineteenth century, and was certainly not a product of popular culture. The author redeems himself in the final sentence of the book, describing them as, "the Wars that took his name."

Sunday, 19 November 2017

Forthcoming Talk: Napoleon and the British opposition, 1815-1821


Opening theme for my planned talk

In 2015 I gave a talk in London to the Friends of St Helena on Napoleon and the British Opposition. I am now preparing for a talk in Stockport, and intend to incorporate some of the local material that has appeared on recent blogs.

After my London talk I sent a summary for publication on the FOSH website, which I have reproduced below.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Britain during the period that Napoleon was exiled on St. Helena was a divided and repressive country. It was a period of dissent and disorder: machine breaking, mass movements, public meetings and petitions against taxes, against corruption, against placemen and against a standing army.

The Foxite Whigs, the opposition in Parliament, often critical of the wars against both France and the United States, never subscribed to the Tory caricature of Napoleon. Whilst not uncritical of him, they recognized that he had created order out of the anarchy of the Revolution, had safeguarded property rights, and furthermore had instituted a number of reforms they would have welcomed in England. They admired his sponsorship of the arts and sciences, the Code Napoléon, considered far superior to the repressive legal system in England, and the religious freedom he had brought to France.

Many great names voted against the resumption of war in the House of Lords in 1815, including the Prince Regent’s brother, the Duke of Sussex, a future Whig Prime Minister, Earl Grey, and Marquis Wellesley, the Duke of Wellington’s brother. Opposition in the House of Commons was led by Lord John Russell, another future Prime Minister, younger son of the Duke of Bedford, who was among a number of Whigs who had travelled to Elba to meet Napoleon in 1814.


Lords voting against war in 1815, including Lord Byron. Lord Holland and the Duke of Bedford were still on their way home from Italy

On the day that news of the victory arrived in London, Earl Grey was telling all who would listen that the world needed the genius of Napoleon. The unexpected victory, so pumped up by Government propagandists that even Wellington became a little embarrassed, totally wrong footed the Whigs. Lord Byron said that there was nothing to do but to follow the example of Samuel Whitbread, one of Napoleon’s greatest admirers in Parliament who for whatever reason committed suicide on 6th July.

Throughout the period of the captivity only the most “reform minded” Whigs were prepared to become associated publicly with Napoleon’s cause. Holland House in London, the home of Charles James Fox’s nephew, Lord Holland, became Napoleon’s centre of support. Lady Holland sent Napoleon some 1000 books donated by Whig families. The Everlasting, Xerochrysum bracteatum , an Australian plant that now grows across St Helena, is the permanent legacy of Lady Holland, who sent the original seeds to Longwood.

In Holland House garden a Canova bust of Napoleon was installed, inscribed at its base:

The hero is not dead, but breathes the air
In lands beyond the deep:
Some island sea-begirded, where
Harsh men the prisoner keep.

Whilst most of the Whigs were quiescent, the Radicals became more vocal in Napoleon’s support. As supporters of the French Revolution, they had found Napoleon’s imperial crown and marriage to an Austrian princess hard to swallow. However, in the post-Waterloo world many came to see Napoleon and to some extent his son, confined by his grandfather the Austrian Emperor, as the symbols of an international liberty that had begun with the French Revolution and was now under threat.

The Radicals developed a narrative about Waterloo diametrically opposed to that pushed by Tory propagandists. The following extracts from the press give an insight into their discourse:

The Rights of Kings triumphed over the Rights of the People at Waterloo. 

Had the country a reformed House of Commons, a war of 
such injustice had never been commenced.

The fall of Napoleon .. was effected by immense German armies, subsidized by us.

That perjury and fraud to which England lent herself, 
in enslaving the Nations of Europe ..

That war sent the brave and generous Napoleon into 
captivity; that war restored the Bourbons in France, 
Spain and Naples; 
it restored the Pope and the Inquisition, all of which Bonaparte had put down.

You see the scaffolds in France streaming with the 
blood of people who cry out for Napoleon’s return .. 
religious liberty was, under Napoleon, made as perfect as in America

So far from it being true that the whole nation 
approved of this measure [exile of Napoleon], 
the fact is that a very great part of the 
sound and enlightened  part of the nation decidedly disapproved of it;

Napoleon towers like the Andes above them all. He 
stands a beacon and a sign unto the Nations; 
and although his thunders sleep, 
perhaps for ever, there is not a-King, or Kingling – a base legitimate – or a plundering Minister, 
that does not tremble at the very name of NAPOLEON.
At the close of poll in the Westminster Election in 1818 the cries of “Napoleon – Napoleon” were heard. On July 22nd 1819 a reform meeting at Smithfield, attended by 40,000-50,000 passed the following resolution:
That this meeting unequivocally disclaims any share or participation in the disgraceful and cowardly acts of the boroughmongers, in placing the brave Napoleon a prisoner, to perish upon a desert island, shut out from human society, and torn from his only son, whilst he is exposed to the brutal insolence of a hired keeper.

Soon followed the mass meeting in Manchester, almost immediately known as the Peterloo Massacre, an ironic reference to the “killing fields of Waterloo.”

When news of Napoleon’s death arrived, placards appeared in London inviting people to go into mourning. The Radical leader Henry Hunt whose attempted arrest led to the Peterloo Massacre, described Napoleon as “the most illustrious and eminent man of the present age, both as a profound statesman and a brave and matchless general.” Whilst aware of Napoleon’s failings,

“yet, when I reflect upon the period in which his energetic mind was allowed to have its full scope of action, and when I recollect the powerful armies and fleets that he had to contend with, and the phalanx of tyrants who were at various times leagued together against him, I am disposed not to examine too nicely and with too critical an eye the means that he used to defend himself against their unceasing endeavours to destroy him, and to restore the old tyranny of the Bourbons.”

Lord Holland considered Napoleon’s death “a legal or political murder, a species of crime which tho’ not uncommon in our age is one of the most blackest dye most odious nature.” Appropriately for a Whig, he drew up a balance sheet:

pro: freedom of worship, financial probity in public life, magnificence of public works, openness to office based on merit alone.

con: “enormous evil” of conscription, persecution of critics and curtailment of personal liberties.

Both Whigs and Radicals had views of Napoleon that differed totally from that of the “Corsican Ogre” created by Government propagandists. Evidence of Whig admiration for Napoleon is to be found in the collections that remain in some of the large stately homes, particularly Chatsworth and Blenheim; the folk memories of the lower orders, reflected in this song

They sent him to St Helena! Oh! Aye, oh!  
They sent him to St. Helena,
John France Wa! (Francois)
Boney was ill-treated! Oh! Aye, Oh! 
Boney was ill-treated,
John France Wa!
Oh Boney's heart was broken! Oh! Aye, Oh!  
Boney's heart was broken
John France Wa!
But Boney was an Emperor! Oh! Aye, Oh! 
But Boney was an Emperor!
John France Wa!
have largely disappeared.

Friday, 17 November 2017

English Honour and the Captivity of Napoleon


An English Gentleman

England in the Regency period was a highly ordered society. Gentlemanly conduct was the ideal to which all in power aspired. Half a century earlier Dr Johnson had defined being a gentleman in terms of "nobility of soul, magnanimity, and a scorn of meanness." Gentlemanly conduct also encompassed ideas of never taking unfair advantage and of conducting oneself towards your enemy as if he might one day become your friend. (1)

The treatment of Napoleon after his surrender was clearly an infringement of this gentlemanly code: detaining a defeated ruler after the end of hostilities was neither customary nor honourable. Napoleon in his letter to the Prince Regent had claimed " the protection of the laws", and had thrown himself on "the most powerful, the most constant, and the most generous" of his enemies. Whilst Captain Maitland gave no assurances as to the outcome of his surrender, Napoleon certainly got the impression that he would be treated with the respect normally afforded a defeated enemy. Lord Holland made exactly this criticism when opposing the bill to legalise Napoleon's detention:

To consign to distant exile and imprisonment a foreign and captive Chief, who, after the abdication of his authority, relying on British generosity, had surrendered himself to us, in preference to his other enemies, is unworthy the magnanimity of a great country;


Napoleon Preparing to Board the Bellerophon

The question of “honour” was important in governing circles, and impugnment of a man's honour fairly regularly led to duels.(2) Hudson Lowe mentioned it in one of his long letters to Bathurst early in the captivity.(3) Lord Castlereagh sought to dispel the concern by a rather tortuous logic: Napoleon and his fellow exiles had held a council of war in France prior to surrender and had decided there was no chance of escape; if Napoleon had had a chance of escape and had surrendered then the Government action would have been dishonourable, but since he had had no choice then Britain acted honourably.

The fact that Lord Bathurst and many members of the Government derived amusement from Napoleon's plight was also unworthy of an English gentleman. In a debate in the House of Lords in 1817 Lord Holland wondered how Bathurst could “allow himself to laugh and sneer at a man because he was in his power.“ Commenting on the affair, the Examiner criticized Bathurst for taking advantage of a man’s adversity by cracking jokes about him, and concluded that “it is the object of Ministers to humiliate their fallen Superior” hence their insistence on the title “General.

Samuel Bamford, the simple weaver who could not aspire to gentlemanly status, clearly judged his country by that moral code, and condemned Napoleon's exile on St. Helena: "Of England's honour 'tis the grave."

It is no wonder that a later gentlemanly Prime Minister would write that an Englishman

"must regret that his Government ever undertook the custody of Napoleon, and he must regret still more that the duty should have been discharged in a spirit so ignoble and through agents so unfortunate."
Rosebery was presumably referring to two knights of the realm, Sir Hudson Lowe and Sir Thomas Reade, neither of whom he considered gentlemen.(4) For Loyalists such as Lowe and Reade of course, and for Bathurst also, Napoleon was an illegitimate ruler, a rebel and a usurper, which undoutedly affected the way he was treated.

It might be fair to point out that for the French at this time and later there was a certain hypocrisy about an Englishman's invocation of "honour", L'Angleterre, ah, la perfide Angleterre .
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1.See "In a Gewntleman-Like-Manner"
1. Canning and Castlereagh duelled in 1809; the Duke of Wellington fought a duel in 1829 when he was Prime Minister.
3. See also Gorrequer's comment, June 10, 1818.
4.Lord Rosebery, Napoleon The Last Phase London 1900, p 57.

Saturday, 28 October 2017

Stockport 1819: Sandy Brow will be More Famous than Waterloo


Cartoon depicting a chained Rev. Harrison of Stockport holding the red Cap of Liberty

In the years leading up to Peterloo, Stockport became a major centre of radicalism. The main area of of popular protest was Sandy Brow, a large open space in the centre of Stockport of which there is now no trace on the map. The best known leader was Rev. Joseph Harrison a dissenting minister whose Sunday School was at one point reportedly attended by some 2000 pupils.

On September 1st 1818 a meeting at Sandy Brow led to the arrest of three of the speakers, John Bagguley, Samuel Drummond and John Johnston. It was pointed out at their trial in 1819 that one of them had eulogised Tom Paine and Napoleon Bonaparte and had reprobated those who abused Napoleon. (1)

In February 1819 at another mass meeting at Sandy Brow the Cap of Liberty was hoisted along with a flag inscribed "Paine & the Rights of Man." Outraged local Loyalists tried to seize the cap and the ensuing struggle was recorded in poems by Samuel Bamford and Henry Ross O'Bryan. (2)

Bamford's poem, in Lancashire dialogue, was redolent of his poem "Touch Him" with its suggestions of the cowardice of the Loyalist yeomanry "dandies".

Ha! Ha'en they taken our cap and flag;
 Wo han the Dandies taken 'em?
  ...
O! Wot could stan afore the might
 O' yeomanry so Loyal?
Who came to drive the 'herd aright,
 An would ha' no denial;
Until the stones began to fly,
 An heads began o' crackin',
An' then our Gallant Yeomanry 
 Were fain to find a backin'.
...
Then amblin' up the 'gemmen' came,
 Towards the front o' th' Hustin;
But soon their folly did they blame
 The rabblement for trustin';
For sticks were up, and stones they flew,
 Their gentle bodies bruisin',
An in a hurry they withdrew
 Fro' such unmannered usin'.

Then proudly let our banner wave,
 Wi' freedom's emblem o'er it,
And toasted be the Stockport lads
 The lads who bravely bore it,
An let the 'war torn' Yeomanry
  Go curse their sad disasters,
An count in rueful agony,
  Their bruises and their plasters.

O'Bryan's poem, subtitled "We fought and conquered," was dedicated to Harrison.


Those who raised the Cap of Liberty on Sandy Brow, "The stage where Britons play'd a Briton's part" were true patriots. "Dire oppression" had "usurp'd" Britain, and the poem harked back to a time "ere tyrant's reign began, When ev'ry Briton lived a free born man ." It questioned the purposes of the "manly Britons" who had fought overseas,"When bleeding thousands fell at Waterloo.", and were now "Curs'd by the despots they themselves preserved." There was then no ambiguity about the author's view of Waterloo:


We're mine Herculean strength, my arm should hew
Those scarlet dogs that bark'd at Waterloo;
Or, Sampson like, I would such asses slay,
And all their guilty fame in ruins lay.
.......
And teach them, England is not Waterloo.
.......
On SANDY BROW we yet shall meet to praise
The God of freedom, just in all his ways.
........
Then truth shall triumph, while the tyrants fell,
Shall fly for refuge to their native hell;
Th' astonish'd world with joy the change shall scan,
And all creation shout, the RIGHTS OF MAN.

A few months later, in June 1819, a few weeks before Smithfield and Peterloo, another meeting at Sandy Brow passed a resolution affirming that Lord Sidmouth was guilty of high treason, and three hisses were given for the prosecutors of Bagguley, Drummond and Johnston. The meeting was addressed by Sir Charles Wolseley the head of an old Staffordshire family who hoped that "Sandy Brow would be more famed in history than the field of Waterloo." He told the crowd that his political career had begun at the storming of the bastille in France, and he would never hesitate in doing the same in England.

Sir Charles and the Rev. Harrison were in July 1819 indicted for sedition, conspiracy and high treason. At their trial in Chester in 1820 each was sentenced to one and a half years' imprisonment. At later trials Harrison got an additional two years for a speech and a sermon delivered after the June meeting.

A Note on Sir Charles Wolseley

Wolseley was the only aristocrat among the radical leaders in the years around Peterloo. Relatively little is known about him, and no major biography has ever been written. (3)

As well as being in France during the storming of the Bastille he apparently returned to live there for a time after 1801. Along with his father, Sir William, he became involved in reform politics in London in 1811, and he was present at the founding of both the Hampden Club and the Union for Parliamentary Reform in 1812.(4) There is tentative evidence that he offered some kind of service to Napoleon during the 100 days.(5)

Sir Charles Wolseley (1769-1846)

Wolseley met Hunt for the first time in 1818, and from that time appears to have severed ties with the more cautious reformers such as Sir Francis Burdett. In August 1819, on his way to the fateful meeting at St Peter's Field, Hunt was invited to Wolseley Hall, and the two then proceeded to Manchester together, although Wolseley did not stay to attend the meeting which was postponed for seven days.(6) Nevertheless as soon as he heard the news he rushed back to Manchester to provide bail for Hunt and the others. He attended Bamford's trial at York, and supplied Bamford and his wife with money, and he intended to erect a memorial for the victims of Peterloo at Wolseley Hall.

Ancestral home of the Wolseley family in Staffordshire, destroyed in 1966

For a time in the 1820's he lived in Brussels, but he remained in contact with Hunt until they fell out when Hunt was elected to Parliament in 1830. Sir Charles supported the anti poor law radicals in the 1830's and unsuccessfully stood for Parliament in Stafford and Manchester in 1835.

In 1837 he was accepted into the Roman Catholic faith, and wrote a pamphlet "Catholic Clergymen versus Protestant Parsons " which was very critical of Anglican clergy, too frequently a "titled blockhead " and the "booby of the family", sentiments which would have undoubtedly resonated with many nonconformists. He reminded his readers that it was Catholics who built British Cathedrals, founded the Universities and "framed our envied Constitution."

Sir Charles seems to have been a generous and thoroughly decent man, he remained a philanthropist to the end, but he departed from his radical past in the last year of his life by speaking against repeal of the Corn Laws.
----------------------------------------------
1. John Bagguley, Samuel Drummond and John Johnston had tried to escape to America but were captured before they could embark from Liverpool. At the Stockport meeting Napoleon was described by one of them as "that suffering magnanimous character", a view of Napoleon as a victim of the boroughmongers that seems to have been widely held among radicals by this time, and certainly by Henry Hunt.
2. The events at Sandy Brow were eclipsed by the Peterloo Massacre, but for that Sandy Brow would have had a bigger part in radical folklore. Robert Walmsley Peterloo The Case Reopened (Manchester University Press, 1969)p. 58
3. Anne Bayliss, Sir Charles Wolseley (1769-1846) The radical baronet (Staffordshire County Library 1983) provides a short fragmentary account of his life.
4. Bayliss p. 3
5. Bayliss says in her introduction that in the Staffordshire Record office there was a list of letters, one of which dated in 1819 indicated that Sir charles had offered to "do an important service for Napoleon during the 100 days". The letter itself apparently could not be found!
6. Dr Robert Poole has informed me that Wolseley toured Manchester in Hunt’s carriage amid vast crowds. In his view Wolseley would probably have spoken at the St Peter's Field meeting had it not been postponed. The Times of August 10th 1819 in an article dated 7th August listed Wolseley as among those who had been expected to attend the postponed meeting. On August 11 it carried a long report of Hunt and the "crazy Staffordshire Baronet" processing through Manchester and being greeted by very large crowds.

Wednesday, 18 October 2017

Samuel Bamford: Lancashire Radical and Poet


Samuel Bamford (1788-1872)

Samuel Bamford was one of the leading Manchester radicals who was arrested and gaoled after Peterloo. After his release Bamford retreated from radical politics, and in 1848 at the height of the Chartist movement he even enrolled as a special constable, as did many establishment figures including William Gladstone and Prince Louis Napoleon, the future Napoleon III.

Bamford's highly regarded Passages in the Life of a Radical, provides an important source for study of the post-Waterloo radical movement, but inevitably it lacks immediacy and provides a carefully constructed view of Bamford's part in the struggles. Bamford had been inside eight prisons, and in the years of the Chartist movement to some extent disavowed his more militant past. (1)

Anthony Burgess's claim of Manchester working class support for Napoleon might be disputed by modern loyalist historians. Nevertheless, amongst all the loyalist displays, including the burnings of Thomas Paine in effigy, very few radicals could be labeled as 'patriots' during the latter years of the Napoleonic Wars.(2) Samuel Bamford, despite, to the horror of his aunt, joining the milita as a young man during the invasion scare, was certainly not among them. At the heart of loyalism was Anglicanism, which was very weak in Manchester, and Bamford came from a dissenting family.

A Collection of Bamford's early poems, published in 1821

The best insight into the world view and the passion of the younger Bamford is to be found in his Miscellaneous Poetry published in 1821. The most political of the poems, "Waterloo", "St Helena", "Touch Him", "The Arrest", "God Save the Queen", "The Queen's Triumph", "The Patriot's Hymn" and "The Union Hymn" were all omitted from the 1843 edition of his poems.(3)

The victory at Waterloo was the cornerstone of Loyalist propaganda. For radicals it was an unnecessary and unjust war fought to impose an unpopular King on the French people, and represented the triumph of tyranny at home as well as on the continent (4) On hearing the news of Waterloo Bamford wrote the ironic Patriot's Hymn, sung by radicals to the tune of God Save the King. This poem reflected beliefs widely held by the radical opponents of the war.


Emperors, and lords, and kings,
Gaudy and glittering things,
Unlov'd by thee.
If they but nod the head,
Armies are mustered,
Thousands to slaughter led,
For tyranny.

Gory is Europe's plain,
Whelmed beneath her slain,
Dreadful to see.
Bleeding promiscuously,
Victors and vanquish'd lie,
Mingled in butchery,
Let man be free.

In 1817 Bamford wrote about Napoleon's exile. St Helena was "the prison of the brave" and "Of England's honour 'tis the grave."

There Napoleon truly great,
High above the stormy wave,
Stands sublime in silent state;
Like a comet's blaze unfurl'd,
Hanging o'er a wondering world." (5)

Bamford's poem about Waterloo echoed the well worn radical themes of "butchery" and of "shame" that "freedom fell by Englishmen". Nowhere was to be found any reference to the Tory hero Wellington nor to the divine intervention sometimes invoked by the Loyalist press. For Bamford and the radicals it had been an unequal fight, of Britain and the tyrants of the continent ganging up against freedom and the "brave" Napoleon.


Nobly strives the gallant Gaul
  Th' unequal combat to maintain;
For country, honour, Emperor, all,
  He freely bleeds, but bleeds in vain.
Oh! arm of strength, and heart so brave,
From rout, from ruin, could not save!"

O, my country, that my tears
  Could wash this foul reproach away;
Could purchase from succeeding years
  Oblivion for that direful day;
Could whelm in Lethe's darksome tide
  Thy lasting shame, thy greatest pride!"

In January 1819 Orator Hunt made his first visit to Manchester. In the course of that visit he went to the theatre and in a pre-planned assault was ejected from his box by a group of red-coated officers. This inspired Bamford to write "Touch Him", perhaps the most explicitly combative of his poems, with the almost obligatory reference to Waterloo. In Miscellaneous Poetry the incident was described as an

"Outrage, committed upon Mr. Hunt, and his Friends, at the Theatre .. by Lord Uxbridge, Captain Frazer, George Torr, and twenty or thirty other "gemmen' of the same stamp."

Touch him, aye! touch him, if you dare;
Pluck from his head one single hair -
        Ye sneaking, coward crew:

Touch him - and blasted be the hand
That graspeth not a vengeful brand,
To rid our long oppressed land
    Of reptiles such as you.

The poem also evokes a sense of class hatred and class warfare and mocks the officers for their cowardice in not standing and fighting

Our purse-proud tyrants vanity
    Shall to the earth be cast"
 
A tougher game they'll have to play
    Than that of WATERLOO.

Why did the sparks, on Monday night,
With fallen crests decline the fight,
    And silent sneak away?


But, true to Dandy stile and trim,
They risked neither life nor limb;
      O! it had cheered me,
To see our gallant gang so stout,
At clog and cudgel have a bout;
So fast so firm, amid the rout,
    For HUNT AND LIBERTY.

But come, my lads, some other day
We'll pin them, ere they sneak away,
And they shall either play or pay
  When Hunt returns again." (6)

Ten days after Peterloo Samuel and his wife were awoken about 2 o'clock in the morning by the hated deputy-constable of Manchester, Mr Nadin, accompanied by police, a company of foot and a troop of Hussars. Nadin told Bamford that he was being arrested for high treason, and on the way to gaol said that he expected him to be hung. Bamford later wrote "The Arrest" which mocked the large presence of soldiers to arrest an unarmed man in the middle of the night. One of the verses refers with irony to the redcoats, and again to Waterloo.

But in they came - a mighty rout
   Of thief-catchers and soldiers brave,
(Our British red-coats ever ought
  A gallant character to have -
  You know they did the country save,
And our religion, and our right;)
  The very dogs of war, who gave
The troops of France so keen a bite,
When they at Waterloo did fight."

Bamford was an avid reader of "Cobbett's Register" which was widely circulated amongst radicals, and his world view does not appear to have been significantly different to that of the London dominated radical leadership: the long war against France was unjust, unnecessary and against the interests of working people; it was the product of a corrupt and unrepresentative Parliament. In the radical constellation Queen Caroline and the Emperor Napoleon were the brave victims, the anti-heroes were the Prince Regent, Sidmouth, Castlereagh, and for Lancastrians, Parson Hay.

In 1820 in London before his imprisonment Bamford visited the Waterloo Museum in Pall Mall, and "doffed my hat before that of Napoleon, and I reverently touched the sword of Ney and the truncheon of Murat." (7) In his cottage in Moston where he spent his declining years "amongst many shining brasses of various kinds there hung a plaster-cast from the death-mask of Napoleon. A possession on which the owner laid great store." (8)

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1.John Gardner, "The Suppression of Samuel Bamford’s Peterloo Poems" http://www.euppublishing.com/doi/pdfplus/10.3366/rom.2007.13.2.145
2. Frank O'Gorman, "Manchester Loyalism in the 1790's", Katrina Navickas, "Lancashire Britishness:Patriotism in the Manchester Region during the Napoleonic Wars" in Robert Poole ed., Return to Peterloo (Manchester Centre for Regional History, 2014). Navickas describes Walker and Cowdroy as "among few radical 'patriots' during the Napoleonic Wars."
3. I understand that the first edition was in fact published in 1819. Most of the "political" poems were published in the quieter times of the 1864 edition, but not those on Waterloo, St Helena, nor "Touch Him" on the attack on Henry Hunt at the theatre.
4.The term "Peterloo" was an ironic reference to the "killing fields" of Waterloo. It acquired the name within days of the event: The Hussars were wearing their Waterloo medals, and apparently a special constable had entered the house of someone helping the wounded, and shouted ‘This is Waterloo for you – this is Waterloo!’
5. "St Helena" and "Waterloo" were published in the Black Dwarf as a single poem, "Napoleon" on December 7, 1817. It was dated Middleton, Nov 9, 1817, under the pseudonym "Jefferey ". The last stanza was different to that published in 1821. It ended with "Thy chief, thy pride, away is torn, O! hapless gallic ever mourn ". The 1821 version ended with references to the victor "proud and vain", and "I envy not the gaudy thing, The friendship of a priest or king." The same edition of Black Dwarf in 1817 carried a paragraph linking the Government spies, "the ruthless persecutors of Napoleon" and the "Careless spectators of the murders of Ney and Lzabedoyere." "There is at least a consistency that does them honour. All their actions are alike."
6. Two stanzas of this poem were read by Rev Harrison at a reform Meeting in Ashton under Lyne in June 1819. 7.Samuel Bamford, Passages in the Life of a Radical and Early Days, Vol II (London MCMV) p 299.
8. BEN A. REDFERN. Some Personal Recollections http://www.newmillshistory.org.uk/sbook/sbook5.html